Vlog: On Prologues

I had a request for a vlog on prologues, so here we go. Some thoughts on those sneaky chapter zeroes and why they're sometimes problematic.



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What do you think about prologues? Do you use them often or enjoy them while reading?

Twitter-sized bites: 
Why are prologues often pointed out as a problem? @Ava_Jae shares her thoughts in today's vlog. (Click to tweet)  
How do you know if your prologue is working? @Ava_Jae vlogs about prologue cliches & problematic openings. (Click to tweet)

Fixing the First Page Feature #12

Photo credit: hehaden on Flickr
It’s nearly July, which means it’s time for this month’s fixing the first page critique! Woot! As these things go, I'll start by posting the full first 250 excerpt, after which I'll share my overall thoughts, then my redline critique. I encourage you guys to share your own thoughts and critiques in the comments (I'm just one person with one opinion!), as long as it's polite, thoughtful, and constructive. Any rude or mean comments will be unceremoniously deleted.

Let’s do this.

Title: ALMENDRA’S JOURNEY

Genre/Category: YA Fantasy

First 250:

“Almendra opened her eyes on the seventh chime of the clock. She quickly sat up, stretched and smiled. Just then the door to her room opened and in entered a large, grey wolf with a tray on his back. 
‘Good morning, Woo,’ said Almendra, her face splitting into a grin. She pecked the wolf on the nose and took a large mug of hot tea from the tray. Breathing in the familiar scent of mint, she clutched the cup in her hands and raised it into the air like one would a goblet at a feast, her hazel eyes alight with humour. 
‘Cheers!’ she said loudly and ‘May today be the day!’ before bringing the cup to her lips, an expression of bliss on her face. Woo walked towards the window and drew back the curtains with the help of his teeth – the sky outside was murky grey. Almendra drank up her tea and placed it back onto the tray just as Woo was leaving the room. 
In one big leap, she bounded out of bed, ran across the carpeted floor and slipped behind the screen, her long, brown hair flying in her wake. Almendra picked up a thick rope, lying in a coil on the floor, with an iron hook on one end, then wound it around a huge wheel it was fixed to on the other end, opened the window and threw the rope down. 
A second later the hook hit the ground with a clunk.”

Okay. So I’ve frequently mentioned that characters waking up is a somewhat overused opening, and whether or not it’s working here is hard to say based off just the first 250 words. Right now, the biggest thing I’m noticing (besides some wordiness which I’ll address in a minute) is a) there isn’t any hint of conflict and b) I’m not really sure what’s going on. Obviously I don’t expect everything to be explained in the first page, but there are a few things here that could be expanded on, like what Almendra is doing near the end of the excerpt. Does she always go out her window like that? Is she not allowed to leave and sneaking out her window?

As I’m not sure what the conflict is here, it could be interpreted as Almendra’s daily morning ritual, in which case I’d recommend moving the opening closer to the inciting incident.

Also, I like her wolf. :)

Okay, now the in-line edits.

Almendra opened her eyes on the seventh chime of the clock. As I said above, I’m hesitant to recommend opening with your character waking up. It’s been done a lot, and as this doesn’t look particularly different (character wakes up, has breakfast, leaves), I think you may want to consider starting later in your story. She quickly sat up, stretched and smiled. Jjust then as the door to her bedroom door opened and in entered a large, grey wolf with a tray on his back entered
‘Good morning, Woo,.said Almendra, her face splitting into a grin. She pecked the wolf on the nose and took a large mug of hot tea from the tray. Breathing in the familiar scent of mint, she clutched the cup in her hands and raised it into the air like one would a goblet at a feast, her hazel eyes alight with humour. The bits that I’m recommending you cut are phrases and words that I feel aren’t really pulling their weight and/or read a little clunky.

‘Cheers!’ she said loudly and ‘May today be the day!’ she said loudly before bringing the cup to her lips and sighing with the first sip, an expression of bliss on her face. Or something like that. But rather than saying there’s an expression of bliss on her face, it’d be more effective to show how that bliss makes her react physically, so we can put two and two together without being told. Woo walked towards the window and drew back the curtains with the help of his teeth – the sky outside was murky grey. Almendra drank up her tea and placed it back onto the tray just as Woo was leaving left the room. Now that I’m reading this a second time, I’m more sure than ever that this opening is starting too soon. The issue is nothing has really happened, so the opening doesn’t hook you in as well as it could. The bit about her wolf is interesting, but I think it could be shown a different way that doesn’t require us seeing her morning routine. 
In one big leap, sShe bounded out of bed, ran across the carpeted floor and slipped behind the screen, her long, brown hair flying in her wake. There’s no way she did all of that in one leap unless she can fly. You may want to consider rewording. Almendra picked up a thick rope, lying in a coiled on the floor, with an iron hook on one end, then wound it around a huge wheel it was fixed to on the other end, opened the window and threw the rope down. 
A second later tThe hook hit the ground with a clunk.”

So I’m thinking overall, the biggest issue is there isn’t enough going on in the opening to really pull me in, which could be relatively easily fixed by moving the opening closer to the inciting incident. Other than that, there’s also some wordiness here, which usually indicates wordiness throughout the MS, so I recommend you take some time to go through your WIP and look specifically for places where you could condense your sentences.

I like the glimpse of the world we’ve gotten here, and I’m definitely curious about that wolf and what kind of world Almendra lives in that a wolf can bring her tea. :) This sounds like it could be an interesting story, we juts need a stronger hook to pull readers in. If I were to see this in the slush, I’d probably pass for that reason.

I hope this helps! Thanks for sharing your first 250, Farida!

Would you like to be featured in a Fixing the First Page Feature? Keep an eye out for the next giveaway!

Twitter-sized bite:
.@Ava_Jae talks starting in the right place & wordiness in the 12th Fixing the 1st Page critique. (Click to tweet)

Book Review: MADE YOU UP by Francesca Zappia

Photo credit: Goodreads
So I've mentioned Made You Up a couple times here on the blog, and recently featured a guest post from the lovely Francesca Zappia, but now I've read the book and I have feels to share.

As I like to do before I begin, here is the Goodreads summary:

"Reality, it turns out, is often not what you perceive it to be—sometimes, there really is someone out to get you. Made You Up tells the story of Alex, a high school senior unable to tell the difference between real life and delusion. This is a compelling and provoking literary debut that will appeal to fans of Wes Anderson, Silver Linings Playbook, and Liar
Alex fights a daily battle to figure out the difference between reality and delusion. Armed with a take-no-prisoners attitude, her camera, a Magic 8-Ball, and her only ally (her little sister), Alex wages a war against her schizophrenia, determined to stay sane long enough to get into college. She’s pretty optimistic about her chances until classes begin, and she runs into Miles. Didn't she imagine him? Before she knows it, Alex is making friends, going to parties, falling in love, and experiencing all the usual rites of passage for teenagers. But Alex is used to being crazy. She’s not prepared for normal."

Made You Up has to be one of the most unique contemporary YAs I've read in quite a while. From the very start it had me questioning what was real and what was a delusion (I've heard Made You Up marketed as "the ultimate unreliable narrator" and it is so true!). While I can't speak about how well or not represented the schizophrenia was, as I don't have the expertise to do so, I can say as a story it was totally fascinating and I loved how it made me think the whole time I was reading.

Initially, I found the pacing a teensie bit slower than I usually like, but I was still absolutely interested in the characters and what was going on. Alex's struggle made me connect to her immediately, and the cast of characters from Miles, to Tucker, to the triplets, and everyone else just felt very true to everyday high school experience (minus, you know, the out of the ordinary stuff going on).

Overall, I definitely recommend Made You Up to those looking for a fresh, unique contemporary YA and anyone looking for a brilliant example of an unreliable narrator in YA. As a bonus, I was happy to see mental illness handled respectfully, and very I'm curious to see what those with a better understanding and experience with schizophrenia think about the representation.

Great story with great characters and really wonderful writing. Made You Up lives up to the hype for sure. 4.5/5 stars.

Diversity note: Made You Up's protagonist has been diagnosed with paranoid schizophrenia.

Have you read any great books lately?

Twitter-sized bites: 
.@Ava_Jae gives 4.5/5 stars to MADE YOU UP by @ChessieZappia. Have you read this unique contemporary YA? (Click to tweet)

Looking for a wonderfully unreliable narrator in a fresh YA? Check out MADE YOU UP by Francesca Zappia. (Click to tweet)

How to Polish Your WIP Before Sending

Photo credit: LucasTheExperience on Flickr
So you’ve traded with CPs and betas several times, completed more rounds of revision and drafts than you care to think about, and now it’s nearly time to send your MS out. Whether “out” to you means querying, submissions, or to your agent or editor, this can frequently be a nerve-wracking experience.

The final step, however, before hitting “send” on those e-mails is to do one last polish to fix minor issues that can sometimes pull readers out of the narrative or bring attention to the writing. These are some things I try to look for when I do a final polish:

  • Overuse of adverbs. While I’m not a writer who believes that all adverbs are evil and need to be annihilated, too many adverbs are frequently a sign of not-as-strong-as-could-be writing. Luckily, this is a relatively easy (if not time-consuming) fix. I generally do a quick “ly” search and eliminate the unnecessary ones, adjust phrases and words to make them stronger and make sure I don’t have too many on a single page. 

  • Repeated words/phrases/writer ticks. Arched eyebrows, smirking, lip-biting, runnings hands through hair and sighing are actions that my characters tend to repeat a lot. I’m not sure exactly why they’re such crutch phrases when I’m drafting (possibly because I do these things a lot myself?), but invariably my CPs find at least one of these way, way overused in my drafts—and so I do a quick search and destroy to weed some out.

  • Unnecessary dialogue tags. This is a very common and easy mistake—and one I still catch myself doing frequently. If you have an action tag with dialogue, then you don’t also need a dialogue tag. For example:

    Meh: “What is it?” he asked, tucking her hair behind her ear.

    Better: “What is it?” He tucked her hair behind her ear.

    It’s redundant and pretty easy to spot.

  • Similar character/place names. In early drafts of Red I had SO many S names. S character names, S place names, I just really liked S okay? But unfortunately it gets confusing when you have too many character or place names that sound similar or all start with the same letter, so this is something to keep an eye out for. If you’re not sure, it can sometimes help to write out all the character and place names alphabetically—it’ll become obvious very quickly if you have too many that all start with the same letter or sound similar.

  • Continuity errors. This frequently happens when you revise in stages like I do. Sometimes, when you change something major (or even not major, but something that affects other things) you miss little continuity issues. Or you’re like me and forget that you killed off a character in this latest revision round, so that character is magically accidentally resurrected in the final chapter—oops. This can be a little trickier to spot on your own, especially if you’ve looked at your MS so many times, but CPs and betas are quite excellent at honing in on them. 

  • Told emotions. I’ve already written a post on how to show emotion effectively, so I won’t get into the details again, but this is another very easy to catch fix. When I’m searching for told emotions, I like to do a quick search in my WIP for emotion tags: sad, scared, happy, excited, nervous, etc. Like most search and destroy methods, you don’t need to get rid of every example of told emotion, but many times there are ways to show emotion much more effectively than just naming the emotion, and that’s what you’re looking for here—opportunities to make the sentence stronger. 

  • Paragraph/sentence length variety. This one can be checked with a quick visual scroll through. Pay attention to the shapes of your paragraphs and where your periods end. Try to avoid giant bricks of text and if you know you tend to overuse a particular sentence/paragraph style (i.e.: short or overly long sentences) keep an eye out to make sure you haven’t overdone it. 

So those are my go-to polishing checks—now I want to hear from you. What checks do you do when polishing your WIP?

Twitter-sized bite: 
Think you're ready to send your MS off? @Ava_Jae shares some quick checks to look for with your final polish. (Click to tweet)

Vlog: On Finding Time to Write

On misconceptions about writers and free time, commitment to writing, and how to find time to write.



RELATED LINKS: 

What do you think? Have you come across this misconception?

Twitter-sized bites:
"If you don't find the time to write when you're [busy] you won't find the time...when you're not." (Click to tweet)  
Writer @Ava_Jae says, "finding the time to write takes sacrifice." What do you think? (Click to tweet

Fixing the First Page Giveaway Winner #12!

Photo credit: demandaj on Flickr
Quick pre-vlog post today to announce the winner of the twelfth fixing the first page feature giveaway! Are you ready?

The winner is…

FARIDA MESTEK

Yay! Congratulations, Farida! Expect an e-mail from me shortly.

Thank you to all you lovely entrants! If you didn't win, as always, there will be another fixing the first page giveaway next month, so keep an eye out! :)

5 Things I Learned While Publishing a Book About Mental Illness by Francesca Zappia

Photo credit: Mine
Today I've got a really special post from Francesca Zappia, author of Made You Up which has gotten quite a bit of buzz lately, to say the least (I mean, John Green tweeted about it on her release day. So). Enjoy!

Unless you are the most experienced person living on the Earth, I think it would be pretty difficult not to learn anything at all while publishing your debut novel. Even harder when your debut novel is about a topic like mental illness—or, in the case of my debut, Made You Up, paranoid schizophrenia. I’ve learned a lot in the last half year, and while I can’t lay it all out in a blog post, I can sum the most important points.

A lot of people have been asking me about the book, what the process has been like, and if I have any advice, so I hope this helps. So here they are: the top five things I learned while publishing Made You Up.

  1. Do your research. I didn’t have to actually learn this one, and I’m sure I don’t have to explain it to you. If you’re writing about a mental illness, you have to do your research. Maybe you have or have had the illness you’re writing about. Maybe one of your family members or friends has/had it. In either of those cases, you’re already ahead of the game, but research is always important. 

  2. Go 100%. I wrote a book about a girl with paranoid schizophrenia. There is no way—at least not that I know of in this day and age—to write a book about a main character with a serious mental illness and not have the book be about that mental illness. About the stigmas and fear that come along with it. You don’t put mental illness in a story to give your character an amusing/unusual trait. If you’re going to do it, do it. Talk about it. Make people know you’re writing about it for a reason.

  3. Brace for rejection. This is a thing that happens. It happens with all kinds of diverse books—books about PoC protagonists, disabled protagonists, protagonists of different sexualities. The dreaded “We already have one of those books in our list” rejections. Yes, it happens with mental illnesses, too. Yes, it is still frustrating. 

  4. Listen and learn. What I have found so far from Made You Up is that there is no consensus on its actual portrayal of paranoid schizophrenia. I wish I could say everyone loved it and said it was perfect, but there are people on both sides of the fence. Some loved it and thought it was honest and sensitive; others positively hated it. I’ve listened to both sides of this and tried to absorb everything I could. I can’t change anything in Made You Up, but I can learn from this for my future work. 

  5. Stay loose [or: Have fun]. Made You Up would not be Made You Up if I hadn’t had fun with the characters and the story. You’re writing about a serious topic, so please give it the respect it deserves, but that doesn’t mean it has to be boring. That doesn’t mean your characters have to behave like lesson-teachers instead of real people. That doesn’t mean the whole book has to be doom and gloom. People with mental illnesses can still laugh; your readers should be allowed to laugh along with them.

Photo credit: Samantha Stanley
Francesca Zappia lives in Indiana and majors in Computer Science at the University of Indianapolis. She spends most of her time writing, reading, drawing, and playing way too much Pokémon. You can find her on Twitter @ChessieZappia, Tumblr, and on her website.

Twitter-sized bite: 
.@ChessieZappia shares 5 things she learned while publishing a book about mental illness. (Click to tweet
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