Fixing the First Page Giveaway Winner #15!

Photo credit: Genna G on Flickr
Super quick pre-post post today to announce the winner of the fifteenth fixing the first page feature giveaway! So here we go!

*drumroll*

The winner is…

E.G. MOORE

Yay! Congratulations, E.G.! Expect an e-mail from me shortly.

Thank you to all you lovely entrants! If you didn't win, as always, there will be another fixing the first page giveaway next month, so keep an eye out! :)

Vlog: 4 Mistakes I Made as a New Writer

I made a lot of mistakes when I first started writing, and now I'm sharing them with you so hopefully you don't make the same ones. Enjoy!


RELATED LINKS:


Have you made any of these mistakes? 

Twitter-sized bites: 
Writer @Ava_Jae vlogs about mistakes she made as a new writer. Have you made any of these mistakes? (Click to tweet)  
"It was really hard for me to let go of the expectation of getting pub'd as a teen." —@Ava_Jae on new writer errors. (Click to tweet)

End of Year Goals

Photo credit: angietorres on Flickr
So we have a little less than fifteen weeks of 2015 (those of you who were enjoying bliss ignorance, I apologize), so I thought it might be fun to start thinking about things I’d like to do before 2016. Call them resolutions or goals or just things to look forward to, but here are my goals for the rest of the year.

  • Finalize the #YAFantasyWIP. This is my NaNo manuscript from 2013 (yes, the one I wrote stupidly fast), so it’s been a long time coming, but I’ll very shortly be embarking of the last couple rounds of revision for this manuscript. Seeing how much this WIP has developed from first draft to pre-final revision draft has already been totally amazing, so I look forward giving it the final shine it needs.

  • Start working on a new project after #YAFantasyWIP revisions are 100% complete. Because I’m going to need a distraction when that project is done to keep me sane. Heh.

  • Finish (and beat) GR reading challenge (only four books to go!). My Goodreads reading challenge goal was fifty books this year, and it looks like at the rate I’m going I’ll very easily surpass that. My goal is to hit fifty and keep going—just to see how many I can squeeze in before the end of the year. :)

  • Finish second to last semester at college. Considering I just started school again three weeks ago, this feels like a weird goal. But it is, crazily, something that will happen before the end of the year! 

  • Write 800th blog post (21 to go). Pretty self-explanatory, so…yep. 

  • Post 80th vlog (ten to go). It’s kind of incredible to me that this is even a plausible goal, and yet! Boy, does time fly…

  • Make five diet-friendly meals/desserts I’ve never made before. Due to my medical stuff, I have a ridiculously strict diet. But! It means I’ve learned to cook, and though I’ve been lazy lately with the stuff I’ve been making, I think this is a good goal to have. Because most of the time I really like the new recipes I try out. So. Food.

  • Get Beyond the Red ARCs. I guess this is unfair to set as a goal since it’s mostly out of my hands, but this is a thing that will happen before 2016! And that’s exciting. And I can’t wait. :D

What end of year goals do you have?

Twitter-sized bite:
Writer @Ava_Jae shares some goals she has before 2016 arrives. What end of year goals do you have? (Click to tweet)

Fixing the First Page Feature Giveaway #15

Photo credit: angelocesare on Flickr
You guys. You guys. We are not halfway through September, I can't. I just. How?

Anyway, good news for you because it's time to get ready for the next Fixing the First Page giveaway! Yay!

For those who’ve missed it in the past, the Fixing the First Page features is a public first 250 word critique. Using the lovely rafflecopter widget, anyone interested in winning a PUBLIC (as in, featured in a post on this blog) first page critique can enter.

For an example of what this critique will look like, here's the last Fixing the First Page post.

Rules!

  • ONLY the first 250 words will be critiqued (up to finishing the sentence). If you win and send me more, I will crop it myself. No exceptions.

  • ONLY the first page. I don’t want 250 random words from your manuscript, or from chapter 3. If you win the critique and send me anything other than the first 250 words of your manuscript, I will choose someone else.

  • I will actually critique it. Here. On the blog. I will say things as nicely as I can, but I do tend to be a little blunt. If you’re not sure you can handle a public critique, then you may want to take some time to think about it before you enter.

  • Genre restrictions. I'm most experienced with YA & NA, but I will still accept MG and Adult. HOWEVER. If your first page has any erotic content on it, I ask that you don’t enter. I want to be able to post the critique and the first 250 in its entirety without making anyone uncomfortable, and if you win and you enter a page with erotic content, I will choose someone else.

  • You must have your first page ready. Should you win, you need to be able to submit your first page within 48 hours of my contacting you to let you know you won. If 48 hours pass and I haven’t heard from you, again, I will choose someone else.

  • You’ll get the most out of this if it isn’t a first draft. Obviously, I have no way of knowing if you’re handing me a first draft (though I will probably suspect because it’s usually not that difficult to tell). I won’t refuse your page if it’s a first draft, but you should know that this critique will likely be of more use if you’ve already had your betas/CPs look over it. Why? Because if you don’t, the critique I give you will probably contain a lot of notes that your betas & CPs could have/would have told you.

  • There will not be a round 2 (unless you win again in a future contest). I hate to have to say this, but if you win a critique, it’s NOT an invitation to send me a bunch of your revisions. I wish I had the time available to be able to look at revisions, but sadly, I don’t. If you try to break this rule, I will nicely say no, and also remember to choose someone else should you win a second contest. Which would make me sad. :(

So that’s it! If you’re okay with all of the above and would like to enter to be the fifteenth public critique on Writability, do the thing with the rafflecopter widget below. You have until Tuesday, September 22 at 11:59 EST to enter!


a Rafflecopter giveaway

Do You Have to Write Diverse Characters?

Photo credit: aurelio.asiain on Flickr
If you're involved in the online publishing/writing community at all, then chances are extremely likely you've heard about the We Need Diverse Books initiative and ones like it, like diversifYA, Diversity in YA, Gay YA, Disability in Kidlit, and many others. Hell, if you've been to this blog more than a few times, you've likely seen me talk about why representation is important to me, and more recently, about the importance of chronic illness rep in YA.

What I'm trying to say is as of late, there have been a lot of pushes towards encouraging writers to write diversely and readers to read (and support) diverse lit. And you know? A lot of good has come out of it. There have been books with marginalized protags getting huge marketing budgets and promoted to the masses, which is incredibly awesome. There have been writers coming together to try to write as respectfully and realistically as possible. And probably most importantly: there's been more visibility of representation in literature.

Of course, we still have a long way to go, but there's been progress. And progress is awesome.

But at the same time, there have also been internet uproars related to the causes, usually surrounding poor (or even harmful) representation, whether in a book, on a panel, etc. Which is understandable, because poor representation needs to be discussed and pointed out. But at the same time, it can be scary as a writer trying to write a diverse cast in a respectful way (or as a writer trying to decide whether or not they should write diverse characters at all), to see that. There have been authors chased off their social media accounts after getting slammed over not-so-great representation in their books—which is probably every writer's worst nightmare.

Stemming from all this comes a sort of guilt or pressure to write diverse characters. Writers sometimes come across diversity talks and walk away with guilt for not writing a diverse cast. So the question is sometimes asked: do you have to write diverse characters?

The short answer? No. Including diverse characters in your book is not a requirement—furthermore, it's unlikely anyone will shame you for writing a book without any minority characters. It happens all the time, and by and large, goes unnoticed from readers who aren't looking for it. You won't be branded a jerk, or unworthy of writing, or anything like that if you don't write books with a diverse cast.

That said, you might decide you want to take a risk and write a diverse cast into your book anyway. Not for the sake of diversity (which is something I see people say, and oh, does it make me cringe), but for the sake of reality. As Mary Robinette Kowal put it:


Because our world? It's not a monolith. We live in a world full of unique people of all races, ethnicities, body types, levels of ability, levels of neuro(a)typicalities, sexual orientations, genders, socioeconomic classes, and religions. So if you choose to write a book without a diverse cast, know that you're not writing a world reflective of our own. Which is okay. You're allowed to make that choice. But it is a choice.

I guess what I'm trying to say, is out of all of these initiatives, no one is saying you have to write a diverse cast in your book. But maybe they're saying to pay attention to the world around you. Maybe they're saying realize that white, cis, heterosexual, middle class, able-bodied, neurotypical, athletic people aren't the only people with stories worth telling.

But is it a requirement to write diverse characters? Not really. But in my experience at least, the more you pay attention to the world around you, the harder it becomes to write worlds that aren't reflective of that reality.

What do you think? 

Twitter-sized bites: 
Is it a requirement to write diverse characters? @Ava_Jae shares her thoughts. (Click to tweet)  
Writer @Ava_Jae says you're not required to write diverse characters, but you might decide you want to anyway. (Click to tweet)

Vlog: How to Juggle Writing & School

So for many of us, school is now in session! Which means all the extra, easy-to-find free time for writing is no more. So what do you do when you're a writer who goes to school? How do you juggle the two? Today I'm sharing my top tips picked up through writing through high school and going on five years of college.


RELATED LINKS: 


What tips do you have for juggling writing with school or work?

Twitter-sized bites:
Struggling to juggle your writing with school or work? @Ava_Jae vlogs about her top five tips. (Click to tweet)  
How do you find time to write a book while at school or working full time? @Ava_Jae vlogs her top tips. (Click to tweet)

Are Your Characters Too Passive?

Photo credit: Brother O'Mara on Flickr
So one of the critiques I’ve received a few times on WIPs I’ve been revising this year is centered on my characters. Specifically, characters who aren’t active enough.

Now, by “not active enough” I don’t mean that they didn’t exercise enough (though I mean, that might be the case too, but anyway). When you get the critique that your characters are too passive, it usually means they’re being reactive far too often. Things are happening to them, and they’re reacting to what’s happening, but they aren’t acting as agents of change. Which can quickly become a problem.

Now the good news is after getting this critique on two different projects, I’m now being super extra careful when plotting future WIPs to make sure that doesn’t happen again (because surprise! This is so much easier to fix when your book is a bunch of bullet points and flashcards). Bad news is if you get this critique on an existing, written manuscript, you’re going to have to roll up your sleeves and do some heavy lifting to fix it if it’s a widespread problem.

So how do you fix passive characters?

  1. Consider where your protagonist is reacting where they could be taking action. Depending on how widespread the issue is, this may be after a certain point in your manuscript, or something you’ll need to consider throughout the plot. Either way, pick some major points where your protagonist could be creating change and jot them down. 

  2. Be open to making big changes. This is important because when you change the way your characters behave, particularly when you’re giving them more agency to make change, well, there are going to be changes. But being afraid to revamp part or most of your plot will prevent you from making the fixes you need, so the best you can do is accept right now that there will possibly be large changes that you’ll need to make. And that’s okay. 

  3. Ask yourself, “What decision can my protagonist make that would create a change?” Brainstorm several ideas until you come up with something that makes sense for your plot and you’re happy with. Some ideas you come up with might sound ridiculous, but don’t filter—just write down whatever you come up with and filter them later. While ideally you want to go with a change that will weave into your existing plot well, as I said in the last point, don’t be afraid to go with something that’ll require a little legwork. Ultimately, you want to go with whatever will make your story the best that it can be—and sometimes that means a lot of work while revising. 

Have you ever encountered this problem, either in your own work or in a book/movie/TV show?

Twitter-sized bite:

Are your characters too passive? @Ava_Jae talks how to fix this problematic issue. (Click to tweet)
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